What I am evidence of is: You can dismiss a Black person. If you’re a young Black girl and you get raped, in the film business, no one’s going to fucking care. You can tell whoever the fuck you want, and they’ll call it an affair. Until people start taking this seriously, I can’t fully heal. There are so many problems to feeling disenfranchised. But I keep finding myself alone. There is now an appetite for listening to women, but there’s women and then, right at the bottom of the pile, is women of color. So careful what you do, everybody, because you might find yourself fucking over a little brown girl at the beginning of a career, when no one knows who she is and no one gives a fuck. She might turn out to be Thandie Newton winning Emmys.

— Thandie Newton Is Finally Ready To Speak Her Mind, E. Alex Jung in Vulture

Coel recalls one clarifying moment when she spoke with a senior-level development executive at Netflix and asked if she could retain at least 5 percent of her rights. There was just silence on the phone, she says. “And she said, ‘It’s not how we do things here. Nobody does that, it’s not a big deal.’ I said, If it’s not a big deal, then I’d really like to have 5 percent of my rights.' Silence. She bargained down to 2 percent, one percent, and finally 0.5 percent. The woman said she’d have to run it up the chain. Then she paused and said, Michaela? I just want you to know I’m really proud of you. You’re doing the right thing. And she hung up.”

— Michaela Coel’s I May Destroy You' Will Tear You Apart, E. Alex Jung