We’ve all seen sporadically employed heroes go home to expensive digs. Jessica Jones lives in Manhattan and, like any noir PI, struggles to get paid. Yet somehow she has an apartment that would cost several thousand a month all to herself. Angel does his unpaid rescue work in Los Angeles and gets an entire hotel for his operation. In the recent Picard show, Raffi complains about being poor but lives in an appealing future rustic home in a scenic park.
Due to the health crisis, support from neighbors in the absence of a family or other social network to fall back on could become rarer, said Nan Roman, president and CEO of the National Alliance to End Homelessness. “Usually when people get evicted, they pull something together. They either stay with family or someone lets them stay for a while, and then they move on to someplace else. Most commonly, even among low-income people, they do eventually get into housing, in normal times,” she said.
Jiangyong Nüshu is essentially premised on the simplification and stylization of standard Chinese characters. The women who created it chose one character to stand for one sound in their language (in contrast to standard Sinographic writing, where one sound may be represented by dozens or scores of discrete characters. In this way, the memory load on the users of the script was much reduced.
In addition, Nüshu adheres to the principle of what I call “rhomboidization”, whereby the square shapes of Sinographs are tilted diagonally.
Q: In Gender Trouble you asked whether, by seeking to represent a particular idea of women, feminists participate in the same dynamics of oppression and heteronormativity that they are trying to shift. In the light of the bitter arguments playing out within feminism now, does the same still apply?
A: As I remember the argument in Gender Trouble (written more than 30 years ago), the point was rather different. First, one does not have to be a woman to be a feminist, and we should not confuse the categories.
I remember his aide, Sid Shapiro, who I spent a lot of time getting to talk to me, he finally talked to me. And he had this quote that I’ve never forgotten. He said Moses didn’t want poor people, particularly poor people of color, to use Jones Beach, so they had legislation passed forbidding the use of buses on parkways.
Then he had this quote, and I can still hear him saying it to me.
The Black book club has, over time, served as a space of critical study, leisure and fellowship. In the 19th century, free Black Americans in the North saw literary societies and the organized literary activities that they sponsored as one way to arrest the attention of the public, assert their racial and American identities, and give voice to their belief in the promises of democracy, Elizabeth McHenry wrote in Forgotten Readers Recovering the Lost History of African American Literary Societies.
The history of Greene King gives a glimpse into some of these entanglements. Benjamin Greene started off as an apprentice to the leading brewing firm Whitbread in London, and would go on to inherit estates in the island of St Kitts, becoming one of many absentee slave owners living off their Caribbean property. Once emancipation happened he was one of the 4,000 people in Britain (20% of whom were women) who received compensation.
I am a black, Southern woman, and of my immediate white male ancestors, all of them were rapists. My very existence is a relic of slavery and Jim Crow.
— You Want a Confederate Monument? My Body Is a Confederate Monument, Caroline Randall Williams in The New York Times
Ozoma asked her manager to address her level, but she says she was initially told that her current compensation package was the best the company could do. After months of trying to get her level changed, Ozoma finally hired a lawyer, who began to argue that she should have been hired at a level six, two rungs above the level four at which she was being paid. Once her lawyer got involved and began advocating for additional compensation, stock options, and back pay, Ozoma was told she didn’t have enough years of experience—a criteria that does not appear on the level chart, which Fast Company has confirmed.
What I am evidence of is: You can dismiss a Black person. If you’re a young Black girl and you get raped, in the film business, no one’s going to fucking care. You can tell whoever the fuck you want, and they’ll call it an affair. Until people start taking this seriously, I can’t fully heal. There are so many problems to feeling disenfranchised. But I keep finding myself alone.