film

My top films of 2020

media best of 2020 best of year film cinema

2020-12-15

I think the last film I saw in the cinema before they all closed was The Lighthouse. After that weird nautical trip we emerged from The Ritzy in Brixton in the middle of the afternoon, dazed and out of sync with the normal world where people were charging up and down the pavement. The cinema was only a couple of minutes down the road from where I was living at the time; it didn’t seem like a big deal.

Men in evening wear slapping one another on the back

media cinema film cannes

2020-11-02

The latest issue of the All My Stars newsletter got me reading about Crash (1996). It was obviously a very contraversial film, that much I remember. There was some monocle-popping from Francis Ford Coppola on the Cannes jury; he refused to present the award that the film went on to win. What’s funny though is that the film won the Special Jury Prize, not just the Jury Prize. What’s the difference?

Autumn leaves

journal covid-19 outdoors london film

2020-10-25

I was locked down for two weeks, so when I got out I wanted to make the most of the autumn leaves. Dulwich Woods are only ten minutes awawy but they were new to me The residential neighbourhood is heavily planted too Most of the time though, I’m back inside. I saw On The Rocks with Rashina Jones and Bill Murray after I listened to the Big Picture episode about Sofia Coppola.

How La Haine lit a fire under French society

film culture politics

2020-05-24

The outraged reaction to the film showed it had hit home. It won best director at Cannes in 1995, but the police believing it to be a polemic against them turned their backs on the team when providing a ceremonial guard at the festival. In the context of the Noisy-le-Grand riots and that summer’s strikes against prime minister Alain Jupp’s austerity measures, its anti-authoritarian swagger was a red rag. Kassovitz was accused of playing up a bad boy image, smoking dope during one TV appearance.

Greta Gerwig and the Politics of Women's Genres

literature film

2020-02-10

With the properly cinematic resources of space, time, and mise-en-sc�ne, Gerwig approaches these contradictions as Alcott could not. Intercut with the meeting with Dashwood is a generically romantic resolution to the story - Jo’s dull professor-ex-machina, Friedrich Bhaer (Louis Garrel), is retrieved from the train station on the brink of departure by a whole troop of Marches and March hangers-on in a rom-com race to unite the hetero-couple. However, the images of this resolution do not actually depict a proposal or a wedding.