#culture
The outraged reaction to the film showed it had hit home. It won best director at Cannes in 1995, but the police believing it to be a polemic against them turned their backs on the team when providing a ceremonial guard at the festival. In the context of the Noisy-le-Grand riots and that summer’s strikes against prime minister Alain Jupp’s austerity measures, its anti-authoritarian swagger was a red rag. Kassovitz was accused of playing up a bad boy image, smoking dope during one TV appearance.